Tag Archives: Scottish Music

Sounds From Scotland Online Music Concert October 18th

The next Sounds From Scotland Online Music Concert on Facebook Live is coming on Sunday October 18th!

The next Sounds From Scotland Online Music Concert on Facebook Live is coming on Sunday October 18th!

www.facebook.com/americanscottish  3PM – 5PM ET / 8PM – 10PM GMT

Featuring the talents of Craig Scott Music, The Jamie Clark Experience, Jamie McGeechan and Mark Copeland.

Join us for this live experience on our Facebook page as we enjoy brilliant contemporary sounds from Scotland!

Culann – The Great Ecumene – a band not afraid to be themselves

Jamie McGeechan, ASF Music Ambassador, updates us from Scotland today with news around Culann, an award-winning band from Ayrshire, Scotland, who have just released their second album, The Great Ecumene.

Culann are PJ Kelly, Sean Kelly, Greg Irish, Ross McCluskie and Calum Davis.

Ya Cheng

As Jamie goes on to explain: “I first met singer and guitarist PJ Kelly on the set of Outlaw King, the recently released Netflix biopic about Scottish king and freedom fighter Robert the Bruce on which Jamie had a supporting role.

Jamie, aka Little Fire, is one of our leading “eyes and ears” in Scotland, reporting that ..”Culann may be the best Scottish rock band that you haven’t heard of yet, and well NOW you have.”

Culann Album Art ,
Ya Cheng

It’s clear, however, that Culann is a band completely at ease with doing their own thing. They have been thriving by developing their sound, from their self-titled debut album released in 2012 to their follow up, The Great Ecumene, released at the end of April 2019.

The opening track “Evonium” is a great scene-setter for the album and gives a good insight into what Culann sound is like: intelligent compositions with powerful performances, great melodies and hooks, and 100% given with every note on each track.

What you get with Culann is a band who is not afraid to play with styles, aesthetics, and colors. They literally throw everything at it in the first track so it completely works. And, in case you’re wondering, the name Evonium is an ancient lost city in Scotland, considered by some to be Irvine, close to where the band lives.

In fact, The Great Ecumene itself is full of literary references – lyrics and sounds evoking nautical themes, ancient and forgotten lands and heroes – and all whilst sounding very modern indeed. Culann is Scottish storytelling, and “Evonium” is a welcoming opener on our journey into the world of Culann and The Great Ecumene.


Second track “Event without experience” is a track that is the key to Culann;  “the band packs so much sonic brilliance into each song that it can initially confound you whilst arresting your attention; for me that’s what great music is all about–you can’t ignore it and it will stop you in your tracks. There is a particularly delightful flute solo from Gavin Millar, which is a real thing of beauty, ” explains Jamie, on a track that has everything else.

Track number four is atmospheric and clever, a song Jamie has not heard in a long time. One of Jamie’s favorites on the album, he tells us that because “Ecumene” is the name the ancient Greeks gave to the known world, the track is quite menacing and arresting at the same time. “It’s well crafted and takes the listener on a journey full of twists and turns, and as I’m listening to it right now, I feel like I’m in a dream world.” Its this juxtaposition of myth and human that makes Culann’s music so powerful.

All Reverie is another stand out track, one of the more obvious with real commercial appeal, although other songs such as Century Box and Aegis are “real growers” that can remain with you for days after listening.


The last track on the album, Queen Street, is a song which will grab you by the heart and serves as a fantastic closer to the album. Starting off as a heartfelt acoustic ballad, it builds into something people will want to sing back at the band, bringing down the roof live.

The band give everything on every track, mastery of song writing and composition, performances nothing short of mesmerising, “even artists Peter Strain, Pamela Scott,  and Culann themselves have brought together the aesthetics of the album visually to tell a story,” Jamie informs us.

As Jamie noted …”Culann may be the best Scottish rock band that you haven’t heard of yet, and well NOW you have.” TAKE A LISTEN


The Great Ecumene is available from iTunes, Amazon, Spotify and in CD / Vinyl from the band directly at

www.culann.bigcartel.com, www.culann.bandcamp.com

Jamie McGeechan, contributing writer, May 2019, littlefiremusic1@hotmail.co.uk

Meet Steve Grozier: Americana Artist From Glasgow

Steve Grozier is a singer-songwriter and musician from Glasgow, Scotland. Scottish though he may be, his sound is at home in America, with acoustic, alt-country instrumentals to back his warm, buttery voice. His songs settle over you like the southern heat of a Tennessee summer night.

Steve, who sings and plays acoustic guitar, is his band’s frontman. He wrote all of the music and lyrics of their debut EP, “Take My Leave.” Roscoe Wilson sings backing vocals and plays acoustic guitar, electric guitar, and the lap steel guitar, while John Dunlop plays the bass. Dillon Haldane played drums and percussion the EP, but left the band shortly after, and Pete Colquhoun is now the bands drummer.

Steve and his band recorded their country-tinged debut EP “Take My Leave” in September 2016, and are currently busy recording the follow up EP “A Place We Called Home.”

In one of the tracks from their debut EP, “Drink Before Dawn,” Steve describes stopping for a cup of diner coffee to stay awake while he’s on the road. Listening to the country ballad, you can picture the open highway stretching before your headlights. Although this experience is not unique to American drivers, it is a theme that crops up time and again in Americana.

“Ringing of the Bells” is another track from the debut EP that really invokes a Southern feeling. What with the singer’s slight twang, and his use of small-town imagery, you might have just happened upon Steve in a Nashville bar.

We wanted to learn more about the man behind the music! In our interview with Steve, below, we learned just what it was that drew him to Americana, and inspired his country sound and imagery.

First, could you tell us a bit about where you’re from and how you started getting into music?

I was born in Edinburgh, Scotland. I was only there for a few years before my family moved to Bishopbriggs, a small suburb with a population of around 20,000, just north of Glasgow, Scotland. I lived there until I was 18 and old enough to move to the city for University.

The house I grew up in was filled with music. My dad had a vinyl and cassette deck that was always on. And, when we’d take rides in the car on weekends or school holidays there was always music playing. I remember thinking even then that music was this magical thing.

Then when I was around 15 or 16 I found my dad’s semi-acoustic guitar. A cheap Encore. It was horrible to play. The action was so high and it sounded dreadful. But, it was the first guitar I’d ever held and that was it. I knew I had to learn to play.

What about your band, how did you get together? Are you all Scots?

Yes, we’re all Scots. We’re all from the country’s central belt. I actually met both Roscoe and Pete via the internet. And I met John via Roscoe. I’ve known Roscoe for over ten years. When I was starting to play open mic nights and gigs in bars I placed an advert on Myspace or Gumtree, I can’t recall which, looking for a pedal steel player. Now, the chances of finding someone who can play that instrument well in Scotland are pretty rare, especially back then. Roscoe could and we’ve been friends ever since.  

When 2016 rolled around and I was looking to put a new band together Roscoe was first on my list to call. He was playing with a band and John was the bass player. I put a post-up on Facebook looking for a drummer and Pete got in touch. The rest as they say is history.   

Because we’re an organization that serves as a bridge between Scotland and the US, the fact that you’re a Scottish Americana artist is something we really love! What does Americana mean to you?

I think the term Americana is a relatively new one. When I first started writing and playing it didn’t exist, or it wasn’t widely used. They’d call the style of music folk, country or alternative country. The AMA defines Americana as contemporary music that incorporates elements of American roots music styles. For me, it isn’t a conscious decision to write in a particular style and I’m not that interested in what label is used. I think where the term Americana is useful is in fostering a sense of community and helping bringing attention or exposure to independent artists.     

American music obviously inspires your work! Who are some artists that inspire you? Any Scottish artists?

Unsurprisingly, I listen to a lot of American music. Growing up my dad had records by Bruce Springsteen, Bob Dylan, Lynyrd Skynyrd, The Byrds, The Grateful Dead, Creedence, and a lot of acoustic blues. So, I was immersed in American music and culture from a young age. When I got around to buying and exploring records for myself I gravitated towards artists and bands that sounded like those I’d heard at home.  

I mean, I listen to music from across the spectrum. The colour of the music isn’t as important as how it speaks to me or makes me feel. The music from Scotland that interests me the most are bands like Teenage Fanclub, Arab Strap, The Jesus and Mary Chain, Mogwai, and The Vaselines.   

A lot of Americana music has themes of travel and wayfaring- would you say that plays a part in your music?

Absolutely, I lived and travelled around Canada and the US for two years. One year on the east coast and one on the west. During that period I wrote a lot. Books full of prose, poetry and songs. Most of which will never be published or recorded. I was always interested in the writings of Jack Kerouac and the peripatetic lifestyle that he describes.  When you’re travelling it’s a different way to be in the world. I think one of the reasons I’m drawn to Americana music is because the songs are often narrative driven. They’re stories that take you on a journey to a different place or time.  

What do you think about what music means for American-Scottish relations- or just in terms of connecting people in general?

For me, my closest friendships have been formed through music. Be that playing in a band, going to shows, listening and discussing records. I think a shared passion for music can really enrich a relationship. There’s this great Hold Steady song called Stay Positive and it’s about music’s power to bring people together. The make the analogy of music being like religion when they sing “And the sing along songs will be our scriptures.”

Then there’s this great lineage of Scots and Irish who settled in the Canadian North East, the Appalachians and even North Carolina and Alabama in the 18th century. The Celtic folk songs from Scotland and Ireland would form the basis of what we now call bluegrass, country and Americana music. An interesting thing is now happening in the UK where we’re seeing British artists finding inspiration in American country music.

Do you hope to bring your music to the states?

I would love to. I don’t see it happening in the foreseeable future, but it’s definitely a longer term ambition.    

The Music of Scotland: Up-and-Coming Artists

Scotland is a nation with music deeply embedded in the very fabric of its culture. It is no surprise then, that Scotland’s contemporary music scene is thriving.

The American-Scottish Foundation has a long history of working with many emerging artists from Scotland.  In recent years ASF developed the “Big Apple Award” with Creative Scotland and Nordoff Robbins, which brought “Song of Return” to New York.  Music is part of our Bursary Program, and a huge part of our cultural program at Bryant Park during Scotland Week.

The ASF is always looking for new Scottish artists and bands to support and enjoy. New acts are constantly surfacing, often paying tribute to their homeland’s musical history by fusing traditional celtic sounds or lyrics into their music. Jamie McGeechan, known as Little Fire, is one such artist. A great friend to the ASF, Little Fire is a singer-songwriter from Ayrshire, Scotland. In a tribute to the forefather of Scottish lyric, Robert Burns, Little Fire recorded an EP of Burns songs entitled ‘Roots.’ He was the first artist to ever record Burns songs live inside the Burns Cottage in Alloway. The ASF invited him to perform at the 20th Annual Burns Night Gala this past January. He has now agreed to help us in keeping our friends and readers informed on the new, the exciting, and the up-and-coming music of Scotland.

Reporting from Scotland we have…

Little Fire, who is quite an established artist himself, having already been invited to support  musicians such as Joan Armatrading, Damien Rice, The Lone Bellow and more. He released his debut album High Hopes in December 2014.

And ASF intern Theresa Schilling, a New Yorker who attends St Andrews University in Scotland.

Little Fire and Theresa came together to discuss other up-and-coming artists in Scotland. They have put together a list of personal recommendations to share with music fans living stateside.

Little Fire: I feel like the Scottish music scene is an incredibly exciting and thriving beast. There are a huge range of brilliant artists, bands and musicians here. Right now there’s some really exciting things going on and it feels like a great place to be.

jamie mcgeechan

Photo via folkandtumble.com

I’ve a fairly eclectic music taste and feel most grateful to my parents for having such a varied record collection when I was younger. Scotland has such a rich musical heritage and it’s undeniably a hugely inspirational place itself. It’s a very creative place with a lot of different styles and genres thriving in what is a relatively small space and Scots are renowned as being amongst the most enthusiastic supporters of live music. To generalise somewhat we’re typically not shy about showing what we enjoy!  

Obviously a lot of the great music in modern history has come from America and the cultural crossover continues although I do think there’s a very particular Scottish identity that flavours the music; perhaps indeed it’s something in the water.

Little Fire Recommends:

Young Fathers

young-fathers (1)

Photo via NPR.org

Right now there’s a lot of buzz surrounding hip hop inspired music in Scotland although to use the term hip hop probably pigeonholes the creativity somewhat. Edinburgh based Young Fathers who won the Mercury Music Prize in 2014 for their debut album, Dead,  have been finding new fans all over for their striking and energetic performances and are quite simply unmissable live.


Hector Bizerk

hector bizerk

Photo via facebook.com/hectorbizerk

Glasgow based Hector Bizerk have been steadily climbing the steps to deserved stardom for their continued brilliance regularly featuring on the festival circuit around the country. Frontman Louie is a poetic genius and drummer Audrey Tait is a sensational and award winning drummer. New album The Waltz of Modern Psychiatry is critically acclaimed and earning the plaudits throughout the country. One of the most dynamic and socially conscious groups in Scotland as well as one of the hardest hitting.

Robin Adams

robin adams

Photo via facebook.com/robinadamsband

Robin Adams is a huge personal favourite of mine, the Glasgow based singer-songwriter is a true artist who is in my mind one of Scotland’s best kept secrets. His music is incredibly visual to me and he is a real craftsman at weaving these spellbinding, often dark but always soulful songs.  He was recently the recipient of the Emerging Excellence Award and his newest album The Garden is to me nothing short of a masterpiece.

Paul McGranaghan

paul mcg

Photo via lastyearsgirl.pixlet.net

Paul McGranaghan is one of the best songwriters I’ve ever heard or had the pleasure of seeing perform live. His debut album Carry the Torch is absolutely in my top albums of all time along with records from John Martyn, Bob Marley and Otis Redding. He’s made that kind of impression on me and the songs have such a brilliance and longevity about them. The album is based around a Hunter S Thompson concept with all the songs relating to characters and scenes from the great man’s books and stories. A stunningly good singer and gifted with a real verve for writing a killer hook such as Tricky Dicky or Sonny and Co., Paul has this ability to also write the most heart wrenchingly beautiful songs such as Goodbye Take Two or Carry the Torch. I’m eagerly awaiting his next album.



Photo via bbc.co.uk

Vukovi from Ayrshire are an awesome live act and are due to blow up all over I reckon. Their new single Boy George has been receiving some regular play on BBC Radio 1 and I think they are going to go all the way. They are a brilliant band and in Janine  Shilstone they have one of the feistiest and most charismatic singers I’ve seen. Their hook laden, rocking sound would get a party started anywhere and I think they’re going to go very far.

Roddy Hart and the Lonesome Fire

roddy hart

Photo via billetto.co.uk

Roddy Hart and the Lonesome Fire hail from Glasgow and create music which is uplifting, rich in harmony and features brilliant song-writing from frontman Roddy Hart. Roddy has released three albums as a solo performer and with the band he truly has produced something quite magical on newest album Roddy Hart and the Lonesome Fire. A collaborator of Kris Kristofferson, curator of the hugely popular Roaming Roots Revue at Celtic Connections as well as presenter on BBC Radio Scotland, Roddy Hart is very much a huge Scottish talent.



Photo via list.co.uk

Dosca are a brilliant trad /folk ensemble from Glasgow who I had the pleasure of seeing perform just recently. They are a superb live act and their performance at Celtic Connections at the start of the year was gripping from start to finish. A highly talented group of musicians who met whilst studying at the Royal Conservatoire they both pay homage to Scottish traditional folk whilst revitalising and refreshing the genre with their passionate performances and intelligent compositions.


Theresa Schilling:   I have been a music lover since birth, and was raised on folk and Americana back in the States. Going to school in Scotland has really given me the chance to expand my knowledge and taste in music.

I attend school not far from Glasgow and Edinburgh, which are both cities constantly brimming with live music. It’s an amazing opportunity to see bands that haven’t yet toured in America. 

Though the Scottish music I listen to varies in genre, I think that there is definitely a distinct Scottish sound. This sound, to me, is one that is filled with, and capable of inspiring, intense nostalgia, surely influenced by the country’s history of music, and the beautiful land itself. 

Theresa Recommends:

Wire & Wool

wire & wool

Photo via facebook.com/WireAndWool

I was lucky enough to see Wire & Wool perform at my university’s student union this past
January. They are
 a bluegrass/folk band who play original songs, incredible Americana covers, and Scottish tunes. Wire & Wool is a six-piece band that got their start by jamming together at Dundee University. The band is composed of guitars, mandolin, fiddles and bass, and accompanied by soulful vocals from each of the bandmembers. Their music is classic Americana bluegrass fused with traditional Celtic influence. An explosion of sound and talent.

The Twilight Sad

the twilight sad

Photo via giloscope.co.uk

The Twilight Sad is a neo-post-punk indie band that uses a balance of synths and guitars in order to create a sweeping orchestral and immensely gloomy sound. The band’s frontman, James Graham, has a lovely and distinct voice, and not just because of his pronounced Scottish accent. Although The Twilight Sad has been around since 2003, their latest album “Nobody Wants to Be Here And Nobody Wants to Leave” is what has really put them on the map this past year. If you enjoy melancholy indie anthems, I would definitely recommend this band.

Blue Rose Code

blue rose code

Photo via folkradio.co.uk

Blue Rose Code is an acoustic singer-songwriter from Edinburgh. His folky guitar-picking sounds effortless paired with his soulful voice and lyrics. His is the warm, layered kind of folk music that washes over you with a cathartic power. His celtic roots shine through with a magical quality which pairs wonderfully with his Edinburgh accent. Blue Rose Code’s latest album, The Ballads Of Peckham Rye, was nominated for the Scottish Album Of The Year Awards in 2014. He is about to embark on a UK-wide tour.

Owl John


Photo via hathersagesocialclub.com

Owl John is the solo music project of Frightened Rabbit’s vocalist and guitarist, Scott Hutchison. (Frightened Rabbit is a fairly popular indie folk- rock band that formed in Selkirk.) Hutchison is well-known for embracing his heavy Scottish brogue while he croons his honest, often heart-wrenching, lyrics. I fell in love with Hutchison’s somber music during my first semester in Scotland, and his solo project does not disappoint. His folky guitar is quietly juxtaposed with his warm voice, occasionally spilling into a plucky riff and experimenting with some electronic influences. The entire Owl John album is wonderful, but “Los Angeles, Be Kind” is an especially poignant song in which he explores the emotions he experiences as a Scot who moved to America.

Three Blind Wolves

three blind wolves

Photo via uplateatnightagain.com

Three Blind Wolves is a four piece, folk-tinged indie rock band with psychedelic and country influences. This may seem like a lot of different styles for just one band, but they truly are an amalgamation of genres. This powerful fusion of sound hails from Glasgow. Their bluesy mandolin-picking, as well as their wailing electric guitar, differentiates the group from a sea of indie-pop bands. They are easily one of the best new bands I have heard over the past few years, and I truly think they could be big.

The Jellyman’s Daughter


Photo via thejellymansdaughter.com

The Jellyman’s Daughter is a bluesy folk duo from Edinburgh. The duet features Emily Kelly on guitar and Graham Coe on Cello. Both artists sing, creating honey-smooth harmonies sure to send shivers down your spine. Their mournful sound is often likened to the American duo, The Civil Wars. However, the Jellyman’s Daughter has a fresh new take on folk music, and I cannot get enough of their self-titled debut album. One of the highlights of this album has to be their jazzy rendition of The Beatles’ “Can’t Buy Me Love.” These two musicians are positively bursting with talent and I have no doubt they will make it far in the contemporary folk music scene.